Cubism In Art

     In the
world of art, Cubism is probably the most important art movement in the history
of 20th Century Art. Cubism brought in new ways of composing pictures and also
showed new ways of representing nature. New movement also brought in new
attitudes towards the picture surface and the application of paint. The ideas of
colour theory were all changed. This caused a liberation of these elements from
a merely descriptive function have all featured in the development of Cubism. At
the beginning of the first decade of this ending century two young artists
emerged trying to make a name for themselves in the highly competitive

Avant-Garde of Paris. One of them, Pablo Picasso (1881-1973), a young Spaniard
who had moved to France had been a deliberate act of encouraging the latest
developments of French paintings. The other artist was Georges Braque
(1881-1963) already a vanguard of modern painting as a practising Fauve. He was
experimenting with liberating colour in an attempt to be the forefront of a
small Avant-Garde community. Both artists met and they developed a solution
between them. Between 1909 and the outbreak of the First World War Cubism was
introduced. Cubism evolved from a mixture of influences. However there were two
that were of great importance. The first was a major exhibition o Primitive Art
mainly displaying sculptures, totems, juju figures and ancestral figures. The
work and end in its self however it was a catalyst for ideas in the future. The
second influence was the work of Paul Cezanne. Hs significance for cubists was
in attempting to re-establish a sense of 3D-Form in painting, which he believed
impressionists had lost. In doing this he developed a theory that the entire
world and everything in it could be reduced to basic forms such as cones,
cylinders, spheres, cubes. The end result was a network of small marks, which
broke up the surface of the canvas. This was Cezanne’s distinct style, the
deconstruction of form, which is the key to the manner in which Cubists were to
reshape Western European Art. The "Aficionado" painting by Picasso was an
ultimate example of a Cubist picture. The fragments of this picture produce a
visual puzzle. The painting is a portrait of a bull fighting fan and in the
painting there are suggestions of a mouth, eyes, a wine bottle and a guitar. The

Aficionado is an example of what is known as analytic Cubism, which was
developed in 1911/12. 1913 was a period that Braque produced a series of
paintings. These included "Still life the table" and "Still life with a
bottle of Bass". He used Cubist devices known as "Tricks of the Trade" in
his work. During this period his work was usually refereed to as Synthetic